→ NOR

HOUSE

IS PROUD TO PRESENT

KAR-A-SUTRA

BY

ANTHEA HAMILTON

WITH

LESTATE




Beginning at THEATER F, Torggata 34
Saturday, November 10 at 12.00
Brunch will be served

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Proceeding to KUNSTNERNES HUS, Wergelandsveien 17
Saturday, November 10 at 15.00
Performance

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Ending at LOUISE DANY, Neuberggata 5a
Saturday, November 10 at 17.00
A roundtable

We will move on foot between events,
please dress warm for the outdoors.


L’Autunno is the third part of Kar-a-sutra,
a cycle of four works by Anthea Hamilton.



Kar-a-sutra drives on, continuing its interpretation of the prototype car Mario Bellini designed for the architectural section in the exhibition Italy: The New Domestic Landscape, Museum of Modern Art, New York, 1972. In documentary images a troupe of mimes inhabited this proposed ideal living space, and cast the vehicle as a commonplace of blank-faced sociability.

As the seasons change, so do our mimes. We have already met them with the questions ‘What do you desire from a mobile communal home?’ and 'What can ants teach us about living together?' From the focus group of Primavera past to the no-nonsense insect communality of L'Estate let us now assume an atomic view of who and what drives the Kar-a-sutra.

Bellini's car had no engine, and consequently relied on the ambulatory power of mimes. An ingenious mechanism of eating, sleeping, walking – wait, no talking! – playing games, making love, working together, discovering the world, they turn the fuel of the everyday into Kar-a-sutra propulsion. The mimes' footsteps drive pistons, the metronomic signatures of oversquare bores. Their gimmicks turn cranks, and heads, around.

'Is time a necessity?' L'Autunno sets its own course; it is a season hard-wired to a fruitfulness that gives way to inevitable, beautiful decline.



Credits:


Music by Moon Sigh, Storyvile, Hopesigh, The Accident. Video by Kristoffer Oigjord, SIGHLENS, Brian kndeneh. Choreography by Sighgraphy. With Jordan johnhope, Balder Hansen, Cedric Dissak, amie mbye.

The mimes are Celine Aernoudt, Marc Eicher, Doris Hardeman, Diane Rivoire, Nelson Schaub and Ilana Winderickx, courtesy of HEAD – Gèneve.

Brunch by Materiet / bread by Maschmann's bakery.

Roundtable by Petter Ballo.

Thanks to Viktor Pedersen and Damla Kilickiran


L'Autunno is presented in collaboration with: HEAD – Gèneve; Theater F; Kunstnernes Hus; and Louise Dany.

Kar-a-sutra continues with Inverno.




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About Anthea Hamilton:

Anthea Hamilton (b. 1978, London) has recently held solo exhibitions The New Life, Secession, Vienna (2018) and The Squash: Duveens Commission, Tate Britain, London (2018) and participated in shows at The Hepworth Wakefield, Wakefield; Glasgow International; Schinkel Pavillon, Berlin; 13th Biennale de Lyon; Palais de Tokyo, Paris; and Tate Britain, London; SculptureCenter, New York and Public Fiction, Los Angeles. She was nominated for the Turner Prize in 2016.

About House:

House initiates and produces art in public space. The basis of House is the invitation to one artist to produce a new work. House is defined by production; each project establishes a new identity, design and mode of communication for House. House is currently producing a cycle of works by Anthea Hamilton.

House was established in 2014 by Per Gunnar Eeg-Tverbakk and Steffen Håndlykken, and is run by Steffen Håndlykken with curating and production in collaboration with 1857. Design by Eriksen / Brown.


HOUSE
P.B. 9185 Grønland
0134, Oslo
Norway

+47 40211281
house@antheahamilton.house

House is supported by Public Art Norway (URO)
1857 is supported by Arts Council Norway